Microphones

Sound capture shapes every performance, recording, or presentation.Read More
Shop By
Now Shopping by
  1. Sale Categories
    Wireless Microphones
Showing 1-5 of 5
Filter a Filter
per page
Set Ascending Direction
  1. PD PD782 Wireless Microphone System UHF with Dual Handheld Mics
    In stock
    £169.00
    PD PD782 Wireless Microphone System UHF with Dual Handheld Mics
    • Dual handheld mics for flexible presentations or performances
    • Eight selectable UHF channels minimise interference issues
    • Integrated LCD displays show channel and battery details
    • Balanced XLR and mixed 6.3mm outputs for clean audio
    • Includes strong carrying case and 19-inch rack brackets
    In stock
    £169.00

    Free delivery and weekend delivery available

    More Info
    In stock
  2. PD PD632BP Wireless Bodypack Microphone with Headset & Tie-Clip Mic
    In stock
    £38.99
    PD PD632BP Wireless Bodypack Microphone with Headset & Tie-Clip Mic
    • 20 UHF channels for reliable frequency selection every time
    • Includes both headset and tie-clip microphones for flexibility
    • Integrated IR learning simplifies transmitter and receiver setup
    • Clear LCD display shows battery status and frequency in real time
    • Secure 3.5mm screwable jack prevents accidental disconnection
    In stock
    £38.99

    Free delivery and weekend delivery available

    More Info
    In stock
  3. PD PD632C Wireless Mic System UHF with Handheld & Bodypack Microphones
    In stock
    £200.00
    PD PD632C Wireless Mic System UHF with Handheld & Bodypack Microphones
    • 40 selectable digital channels for reliable wireless transmission
    • Includes both handheld and bodypack microphones for flexibility
    • Quick IR frequency pairing for simple setup and operation
    • LCD displays on receiver and transmitters show key system info
    • Supplied aluminium case and rack mount brackets for durability
    In stock
    £200.00

    Free delivery and weekend delivery available

    More Info
    In stock
  4. PD PD632H Dual UHF Wireless Microphone Set with 2 Handheld Mics
    In stock
    £190.00
    PD PD632H Dual UHF Wireless Microphone Set with 2 Handheld Mics
    • 20 selectable UHF channels per mic for reliable signal clarity
    • LCD displays show active frequency and battery level in real time
    • Infrared (IR) data sync for fast channel pairing between devices
    • Balanced XLR and unbalanced 6.3mm outputs support varied setups
    • Aluminium carry case and rack-mount kit included for mobility or install
    In stock
    £190.00

    Free delivery and weekend delivery available

    More Info
    In stock
  5. PD PD524 UHF Wireless Microphone System with 4x Handheld Mics
    In stock
    £328.06
    PD PD524 UHF Wireless Microphone System with 4x Handheld Mics
    • UHF wireless mic system with four handheld microphones
    • 4x 100 UHF channels with IR pairing for easy setup and clear signal
    • Includes four rechargeable handheld microphones for flexibility
    • Separate balanced XLR outputs plus mixed 6.3mm jack output
    • Receiver and microphones feature clear LCD screens for monitoring
    In stock
    £328.06

    Free delivery and weekend delivery available

    More Info
    In stock
Showing 1-5 of 5
Filter a Filter
per page
Set Ascending Direction
Chat
Email
Call

Microphones

Sound capture shapes every performance, recording, or presentation. Choosing the right microphone calls for an understanding of how sound-to-signal conversion, pickup patterns, and connection formats influence results. The following guide explores classic wired mics, modern wireless mics, and the growing demand for dual wireless microphones, highlighting practical features rather than brand slogans.

Core Principles

A microphone turns air pressure changes into an electrical waveform. Dynamic capsules rely on a moving coil and magnet, while condenser designs use a charged diaphragm and backplate. Each approach brings distinct tonal behaviour and sensitivity, so the initial choice often pivots on application rather than price tag.

Why Capsule Type Matters

  • Dynamic: Handles loud sources well, resists moisture, and survives touring conditions.
  • Condenser: Offers extended frequency response and detail, ideal for spoken word or acoustic instruments.
  • Ribbon: Delivers a smooth, vintage-style character; often selected in controlled studio rooms.

Re-thinking Pickup Patterns

Pattern describes the area in which a microphone "hears". The choice affects feedback rejection, ambience, and off-axis colouration.

  • Cardioid: Front-focused, rejecting most rear sound. A common live favourite.
  • Supercardioid / Hypercardioid: Tighter front lobe with slightly higher rear pickup; excels on loud stages.
  • Omnidirectional: Uniform capture in all directions, useful for round-table discussion or ambience.
  • Figure-8: Equal front and back coverage, handy for mid-side recording or dual-presenter setups.

The Staying Power of Wired Mics

Cabled microphones remain a staple for stage and studio work where absolute signal stability is required. The absence of batteries and radio transmission keeps faults to a minimum. Analogue output usually arrives over a balanced XLR connection, shielding the signal along lengthy cable runs. Because phantom power can be supplied directly through the cable, condensers draw current without external packs.

Practical benefits include:

  • Immediate troubleshooting - faults lie in either cable or capsule, rarely both.
  • No latency concerns, making them a go-to for in-ear monitoring situations.
  • Budget-friendly build for rehearsal rooms or educational spaces.

Freedom Through Wireless Mics

Wireless microphones remove the physical tether, sending audio via UHF, VHF, or 2.4 GHz links to a receiver. This mobility makes choreography, fitness instruction, and roaming presentation far easier. Digital transmission systems now offer wide dynamic range and frequency agility, letting users scan for a clear channel at power-up.

Considerations before committing:

  • Frequency Planning: Check local spectrum rules and licence thresholds to avoid interference fines.
  • Battery Life: Current handhelds often stretch beyond eight hours, but spare cells remain essential during long sessions.
  • Antennas: Placement governs range. Diversity reception, using two antennas, reduces dropouts.
  • Latency: Digital systems may add a couple of milliseconds; usually negligible, yet worth noting for critical monitoring.

Two Voices, One Receiver: Dual Wireless Microphones

A twin-channel package tidies rigs where two transmitters must feed a console yet rack space is tight. Typical kits pair two handheld transmitters, two bodypacks, or a mixed option. Because only one receiver occupies the rack slot, cabling stays neat and channel scanning happens once. Speed of setup makes dual wireless microphones popular for panel talks, house-of-worship duets, and interview crews.

Build Quality and Components

Shell material, grille density, and internal shock mounting all influence surviving life on the road. Zinc alloy housings resist knocks, while steel mesh grilles guard the diaphragm from plosive bursts. Internal cushions or elastic suspensions curb handling noise - particularly important on slender headset booms or baton-style handhelds.

Connectors and Cabling

The industry leans on a variety of cables, including three-pin XLR connectors for balanced output. Mini-XLR or locking 3.5mm plugs appear on bodypacks to secure lavalier and headset leads. Gold-plated contacts slow corrosion in humid venues, while braided shielding limits radio ingress. A short test at every changeover prevents hum creeping into a show.

Power Delivery and RF Management

  • Phantom Power: 48V feeds most small-diaphragm condensers; switch off when using passive ribbons.
  • RF Coordination: Spacing channels by a safe margin avoids intermodulation. Spreadsheets and free apps help plan larger rigs.
  • Signal-to-Noise: Look for transmitters above 100 dB S/N ratio when quiet passages matter.

Care, Storage, and Seasonal Checks

Condensers prefer dry cases with silica pouches to fend off moisture. Dynamic capsules survive tougher conditions but still benefit from regular grille cleaning in mild soapy water. For wireless models, remove batteries once a show ends to prevent corrosion. A short audio sweep test each season flags capsule wear early.

Deciding What to Buy

Selecting a microphone begins with mapping out usage scenarios: solo singer, public address, podcast round-table, or outdoor film capture. Next comes capsule style and polar pattern, followed by wired or wireless transmission. Finally, allocate budget space for stands, pop screens, and spare batteries; accessories often tip an average setup into polished territory.

Summary

Microphones remain the first critical link in any audio chain. From straightforward wired mics to advanced wireless mics and space-saving dual wireless microphones, each style answers a specific challenge. Understanding capsule choice, pattern behaviour, and connection format enables smooth integration into existing rigs while ensuring clarity on stage, in studio, or across broadcast networks.

Frequently Asked Questions

Is a wired mic always clearer than a wireless model?

Clarity often depends more on capsule design than the presence of a cable. However, wired lines remove potential radio interference, so signal integrity can appear higher when the venue has congested RF traffic.

How far can a wireless handheld travel from its receiver?

Range varies by terrain and antenna placement. Indoors, 30 metres is common; open air can extend beyond 60 metres when line of sight remains unobstructed.

Can two singers share one dual wireless microphone system?

Yes. Dual sets carry two independent transmitters into a single receiver chassis, sending separate outputs to the mixing desk.

Which pickup pattern reduces feedback on loud stages?

Supercardioid and hypercardioid options focus tightly on the source while rejecting floor wedges and side fills, lowering feedback risk.

Do condenser microphones need batteries?

Studio condensers typically draw 48V phantom power from the mixing console. Some compact condensers and wireless headset capsules run on small internal cells when phantom is unavailable.

How often should microphone grilles be cleaned?

A quick wipe after every use keeps odours down. A more thorough wash once a month removes saliva salts that can corrode metal mesh.