Concert Lighting

Concert lighting forms the visual backbone of every live performance.Read More
Shop By
Now Shopping by
  1. Light Colours
    RGB-UV
  2. Light Power Rating
    0W - 24W
Showing 1-1 of 1
Filter a Filter
per page
Set Ascending Direction
  1. BeamZ TP46 LED Par Uplighter
    In stock
    £69.00
    BeamZ TP46 LED Par Uplighter
    • Compact design fits inside quad truss with ease
    • Four 4W RGB-UV LEDs for wide-ranging colour choices
    • Standalone use or full DMX control for versatile setups
    • Multiple operating modes, plus remote included
    • Master/slave mode for synchronised lighting displays
    In stock
    £69.00

    Free delivery and weekend delivery available

    More Info
    In stock
Showing 1-1 of 1
Filter a Filter
per page
Set Ascending Direction
Chat
Email
Call

Concert Lighting

Concert lighting forms the visual backbone of every live performance. It aids rhythm, highlights performers, and connects audience members from front row to back. While artistic goals vary, the essential considerations remain constant power, control, colour, coverage, and safety. Whether on a small club stage or at a national stadium, designers apply these principles to create cohesive, impactful experiences.

Stadium Lighting Design Factors

When planning stadium lighting, scale and environmental conditions dominate the discussion. Stadiums demand fixtures that can throw light over vast distances, sometimes exceeding 80 metres, while maintaining focus and clarity. Lighting choices favour sealed, weatherproof housings with tight optics, powerful LEDs, and robust mounting solutions. Floods may bathe terraces and perimeters, while beam units cut cleanly through haze and stand out even against massive LED screens. Truss designs are calculated to distribute weight efficiently, and control systems often incorporate redundant paths to safeguard against failure.

Arena Lights for Indoor Concerts

In contrast, arena lights serve the acoustically sealed, medium-scale venue. Arenas are large enough to require powerful coverage but small enough to allow nuanced effects. Lower ceiling grids enable immersive design without towering rigs. Lighting within an arena is typically zoned - front-of-house spots follow key performers, while wash lights provide overall coverage, and accent fixtures punctuate visual moments. Noise and reverb within enclosed arenas also necessitate quiet cooling fans and smooth motor control to preserve the audio mix.

Concert Lights by Function

Seasoned designers classify concert lights by their function rather than brand or trend. Key lights create the general stage wash and ensure performers are visible. Beam units offer narrow, intense bursts of light that track beats or cues. Profile units incorporate shutters and gobos for texture and branding. Strobes or audience-facing effects add dramatic energy peaks. Finally, linear pixel strips allow for animated chases across set pieces or risers. Some rigs opt for all-in-one fixtures to save space and speed up load-in, especially during tour stops with tight turnover.

Concert Lighting Control Systems

Modern concert lighting systems depend on sophisticated control networks. Desks handle thousands of parameters using protocols like DMX, Art-Net, or sACN. Cue sequences are pre-programmed and triggered via timecode. MIDI signals may activate scene changes in sync with music. Operators also retain manual override options for improvisation during solos or crowd interaction. Redundancy is vital - dual consoles, duplicate servers, and mirrored control lines ensure the show continues even if one system fails.

Rigging and Power Planning for Tours

A robust plan supports even the most creative rig. Every fixture, cable, and scenic element adds weight. Engineers often calculate total rig loads well in advance, including allowances for cable runs, clamps, and other mounting hardware. In venues with limited rigging points, spreader trusses distribute the weight. Touring crews must confirm venue electrical phases, separate signal from mains runs to avoid interference, and label looms clearly to minimise errors and save time during setup.

Creative Trends in Concert Lighting

Several design trends have emerged in concert lighting in recent years. Pixel mapping blends lighting and video by controlling emitters as if they were screens. Designers are also embracing negative space - intentionally darkening parts of the stage to heighten contrast and shift attention. Compact touring fixtures that fold or nest improve efficiency for air-freight travel. Sustainability now plays a larger role, with a push toward energy-efficient fixtures and recyclable construction.

Specifying Concert Lighting for Tours

Choosing the right package begins with defining coverage zones using stage layouts. Designers cross-reference throw distances and beam angles to select the correct optics. Power loads are calculated to prevent brown-outs during peak moments. Roof structure limits are factored in to avoid overloading. Even rider flexibility is considered - technical sheets list preferred fixtures, but colour temperature, dimming curves, and gobo specs help ensure that substitutions remain consistent.

Maintaining Touring and Permanent Systems

Concert gear sees hard use. Touring crews routinely clean fans, check motor alignment, and carry spares for PCBs and LED modules. These preventative measures minimise delays and keep performances on track. Permanent stadium installations follow a different rhythm, with quarterly inspections, software updates, and calibrated brightness checks. Some venues use remote monitoring to alert technicians about fixture issues before they impact a show.

Frequently Asked Questions

What sets concert lighting apart from general venue lighting?

Concert lighting responds to the music in real time, using timed effects, dynamic colour shifts, and high-output fixtures to match the energy and pacing of a live performance. Venue lighting typically focuses on static illumination.

How bright should stadium lighting be?

Designers aim for 700 to 1,500 lux on stage surfaces, depending on whether the show is filmed. This ensures visibility without overwhelming the audience with glare.

Can arena lights handle concerts and sports?

Yes. Versatile fixtures with adjustable colour temperature and beam spread allow the same lights to serve concerts, conferences, and sporting events.

Are LEDs now standard in concert lighting?

Absolutely. Most modern shows rely on LED fixtures due to their low power draw, colour flexibility, and long service life. However, some designers still use discharge or tungsten fixtures for specific looks.

How long does concert programming take?

For large arena shows, programming may take five to ten days in a previsualisation suite, followed by two to three rehearsals on site.

What safety checks happen before a show?

Crews verify focus and address, check safety bonds, confirm signal flow, and run through cue sequences including failover scenarios and emergency lighting.