Haze Machines

Haze machines disperse a fine, almost invisible mist that reveals beams of light without masking sightlines.Read More
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  1. BeamZ Pro F3000 Pro Haze Machine with Trolley - 3200W
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    £1,169.00
    BeamZ Pro F3000 Pro Haze Machine with Trolley - 3200W
    • Delivers 1500m cubed of fine haze per minute for large spaces
    • Continuous operation after a short 7-minute warm-up
    • Precise output and fan speed control with DMX and manual modes
    • Robust trolley case with wheels for easy transportation
    • 20-litre tank capacity supports extensive events without refills
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    £1,169.00

    Free delivery and weekend delivery available

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  2. BeamZ Professional HZ3000 Haze Machine
    In stock
    £649.99
    BeamZ Professional HZ3000 Haze Machine
    • DMX hazer machine for long-lasting haze effects
    • Uses oil based liquid and provides continuous output with no warm-up
    • Customisable output and fan speed for precise control
    • Operates in both DMX and stand-alone modes
    • Integrated solid flight case protection with castors for mobility
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    £649.99

    Free delivery and weekend delivery available

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Haze Machines

At a Glance

Haze machines disperse a fine, almost invisible mist that reveals beams of light without masking sightlines. A steady, even output keeps the atmosphere consistent throughout a show or recording session, making these units a staple in theatres, live music venues and film studios. They differ from traditional smoke units by using lighter particles that remain airborne for longer and settle with minimal residue.

How Haze Is Produced

Inside every unit, a heater block or vapourising chamber raises a dedicated fluid above its boiling point. The moment the pressurised vapour meets cooler air, it condenses into microscopic droplets that scatter light while allowing performers and cameras to see clearly. Two fluid families dominate the market:

  • Water-based blends - glycol or glycerol solutions suspended in de-ionised water create a quick-dissipating mist.
  • Mineral oil blends - used by an oil based hazer to produce a denser cloud that lingers far longer in large spaces.

Fan systems then push the vapour into the venue and break it up for a uniform spread. The size and design of the fan determine coverage speed and noise levels.

Choosing Between a Water and Oil Based Hazer

Selecting a fluid type is usually the first step. Water solutions are favoured in venues with sensitive electronics or limited ventilation. They leave hardly any residue and clear rapidly once airflow increases. An oil based hazer, on the other hand, finds regular use in arenas, long-running installations and any setting where minimal topping-up is desired; the particles are heavier, so output can be set lower while maintaining a visible light track. Extra cleaning time and mineral oil costs need to be budgeted, but many technicians consider the trade-off worthwhile for stable coverage during lengthy productions.

Control Options: DMX Haze Machine Explained

Professional rigs rarely operate in isolation; DMX controllers, timecode software and show control systems demand integration. A DMX haze machine answers that requirement by including 3-pin or 5-pin connectors. Channel assignments vary by model but generally cover:

  • Haze volume or pump speed
  • Fan speed for throw distance
  • On / off or stand-by status
  • Heater temperature monitoring or boost modes

Many DMX hazer models add a local control panel, wireless remote or timed cycle function for rehearsals and smaller shows. When patching into a desk, assigning the hazer to a master fader allows the operator to follow dynamics on stage, nudging the effect as lighting cues intensify or calm down.

Portability and Road Use: The Tour Hazer

Road crews need hardware that travels without fuss, sets up in minutes and survives daily loading. A purpose-built tour hazer meets those demands through flight-case style shells, recessed controls and locking castors. Many units feature integrated powerCON connectors, fluid canisters secured inside shock-mounted bays and hinged lids that double as cable stores.

Weight matters when equipment must be lifted onto trucks or flown on trusses, so aluminium chassis and removable fluid tanks help keep handling straightforward. Spare parts such as heater blocks or pumps are often modular, enabling fast swaps between sound-checks.

Key Specifications to Check

  • Output Rate - measured in cubic metres per minute; compare this figure to venue volume.
  • Particle Hang Time - influenced by fluid formula and ambient airflow.
  • Warm-up Period - the interval between power-up and usable output; can range from 45 seconds to ten minutes.
  • Fluid Consumption - given in millilitres per hour at 100% output; great for estimating running costs.
  • Noise Level - usually quoted in dB at one metre.
  • Power Draw - expressed in watts or amperes; confirms circuit loading safety.
  • Control Protocols - DMX channel layout, any Art-Net or sACN options, and availability of manual modes.

Typical DMX Hazer Applications

Although first adopted by stage designers, haze quickly moved into many creative fields. A few common examples include:

  • Drama and Musical Productions - keeps colour washes crisp and defines follow-spot beams without distraction.
  • Live Music - punchy lamps and laser arrays cut cleanly through a stable mist, adding depth on wide stages.
  • Broadcast Studios - softens shadows, reduces contrast spikes and maintains consistent ambience for camera movement.
  • Fashion Shows and Corporate Launches - accentuates catwalk lighting or product reveals while preserving clear audience sight.
  • Photography - gentle haze lifts background blacks, producing separation around subjects in still images.

Maintenance and Care

Regular cleaning extends life and preserves particle quality. Many manufacturers recommend flushing with distilled water or a dedicated cleaning solution after every ten hours of operation. Fans and vents should be vacuumed to prevent dust layers that hinder airflow. Replacing inlet filters once a season maintains pump efficiency, while checking hose clamps stops unwanted drips inside the housing.

In Summary

Whether plans involve a compact studio or a multi-city run, a carefully specified haze machine underpins consistent lighting design. By balancing fluid choice, control method and output level, crews achieve the desired atmosphere while safeguarding equipment and personnel.

Frequently Asked Questions

How long does water-based haze remain visible?

The effect lasts roughly 20–40 minutes in still air. Active ventilation or sudden scene changes may reduce this window.

Does an oil based hazer need a separate cleaning routine?

Yes. Mineral oil leaves light deposits, so internal flushing is typically carried out after every few hours of operation.

Can a DMX haze machine be run without connecting it to a desk?

Most models ship with a local menu or wired remote. DMX remains optional, though it offers finer control once integrated.

What’s the difference between a hazer and a smoke machine?

A haze machine produces thin, barely noticeable smoke that allows light beams to be visible through the air, while smoke machines create a thick, fog-like effect as an additional element to lighting.

Is a tour hazer excessively loud for orchestral work?

Not necessarily. Many touring units include variable fan curves; selecting a low-RPM setting keeps noise below typical audience ambience.

Are special power supplies required?

Standard 240V outlets cover most needs. High-output machines may draw up to 15A, so dedicated circuits can be prudent.